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题目材料：

That nineteenth-century European women sculptors seldom saw their work displayed in the most prestigious locations can be linked to the genres (portraits, mythological figures) and the formats (reliefs and life-size or smaller-scale sculptures) in which they worked. But what was cause and what was effect of these women's limited access to public space? Women sculptors rarely received commissions for the highest genre in the hierarchy of public sculpture: the huge historical equestrian monument in a public square. Women made some life-size statues, but these were seldom placed on high pedestals in open public spaces. Public sculptures by women usually do not seem to have been designed for the monumentality of public space; they are often, essentially, interior sculptures that may or may not have been placed outside.

According to the passage, which of the following statements about the sculptures produced by nineteenth-century women sculptors is true?

A.They tended to command somewhat lower prices than similar works produced by male sculptors.
B.They were more likely to be commercially successfiul when the gender of the sculptor was unknown.
C.The often appeared to have been designed for relatively inimate spaces.
D.They seldom included figures on horseback.
E.They were often produced in materials that were not well-suited to endure in outdoor conditions.

C显示答案

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