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The Musical Dice Game was published under the name of Mozart, the renowned composer, shortly after his death in 1791. The Dice Game consists of 176 numbered musical fragments, each three beats long, and instructions on how to compose short waltzes by ordering selected fragments according to the throw of the dice. Some music historians contend that the Dice Game was not authored by Mozart, correctly asserting that Mozart did not need to rely on such a system to compose music, but their view that Mozart was too creative to have used such a device is inappropriately based on a nineteenth-century Romantic concept of composers. In fact, Mozart loved puzzles and games, and equivalent fragments exist in his own handwriting. Moreover, countless music professionals contemporary with Mozart explored and promulgated new compositional methods. Indeed, nearly every prominent composer of Mozart`s day created a dice game. The triviality of the music produced by the Dice Game, however, strongly suggests that someone other than Mozart authored the game, basing it loosely on fragments discarded by Mozart.

The author of the passage suggests that the view of the "music historians" concerning Mozart`s authorship of the game published under his name is based on

Airrelevant biographical information about Mozart
Banachronistic ideas about how composers in Mozart`s day created music
Ca lack of awareness of certain fragments among Mozart`s surviving manuscripts
Dmisconceptions about how composers in Mozart`s day promoted themselves
Ean overestimation of Mozart`s resourcefulness as a composer

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