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题目材料：
Not all poets are avant-garde, or progressive, or even original; more importantly, not all poets desire to be so. Yet such is the nature of criticism that we know very little about the Urdu poets [Muslim poets of South Asia] of the nineteenth century who singularly (or deliberately) failed on all three counts. That critics have granted relatively sparse attention to poets in whose verse the period's changes of society and sensibility made little mark offers historians occasion to delve into more obscure corners to ask whether those who failed to enter the canon point to other trajectories in Urdu literary history. If the “reformist” poetry of the colonial North Indian setting exemplified by the work of Muhammad Husayn Azād and Altāf Husayn Ḥālī is now well-known to scholarship, the more traditional and conservative forms of Urdu religious poetry that flourished at the same time offer an opportunity to ask what more obscure expressions of poetic art can tell us about the tensions between custom and reform that dominated the social no less than the literary life of the period. Far less documented than the Urdu of the north, the poetry written in the officially independent and socially conservative state of Hyderabad presents one such opportunity to trace alternative trajectories of Urdu in a period usually seen through the tropes of “colonization” and “reform.”
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信息题-信息本身及合理推断
信息题-信息本身及合理推断
以上解析由 考满分老师提供。
