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题目材料：

In the late 1920s, the noted writer Lu Xun, who was also the primary figure behind the modern Chinese woodcut movement, began to introduce modern Western woodcuts into China. Lu Xun believed that Western artists' emphasis on linearity and sharp black-and-white contrasts gave their art a distinctly serious quality, very different from the largely decorative nature of the traditional, richly colored Chinese woodcut. But he also believed that the most important ingredient in the Western woodcut was its close link to the broader society, an element missing in the Chinese woodcut tradition. It is true that Lu Xun was deeply impressed by the Western artists" techniques, which enabled them to evoke human emotions through gestures and facial expressions, but his decision to introduce their works was prompted more by his admiration of the works' role in the struggle for social and political justice than by his interest in technique and craftsmanship. Lu Xun realized that woodcuts could do more than evoke emotions; they could be used as an educational tool to reshape public consciousness.

The passage suggests that Lu Xun was dissatisfied with which of the following aspects of the traditional Chinese woodcut?

A.Its uniformity of style, regardless of the artist
B.Its lack of appeal to the twentieth-century Chinese public
C.Its lack of relevance to broad social issues
D.Its failure, despite many efforts, to reshape public consciousness
E.The limited range of subjects depicted

C显示答案

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