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题目材料：
This photographer's recent portraits make no effort to show the subject within a social setting or among the objects that express his or her way of life. The signature white background against which little more than the subject's head is shown is meant, one supposes, to suggest the metaphor of a soul stripped bare. By eliminating superficial means of signaling psychology and status, the photographer, some critics assert, heroically challenges himself to find expressive means to reveal his subject's truth.
Arguably, however, the photographer's fierce scrutiny—a kind of visual interrogation—in the portraits tells us little about the essence of their subjects. In these images the subjects often seem stripped of dignity and worth so that the portraits appear to be merely transcriptions of an aggressiveness, a cutting down to size, on the photographer's part. It would be greatly to his artistic benefit if he were to leave the studio behind and return to the real world, where some of his best portraits were made in the 1950s and 1960s.
Arguably, however, the photographer's fierce scrutiny—a kind of visual interrogation—in the portraits tells us little about the essence of their subjects. In these images the subjects often seem stripped of dignity and worth so that the portraits appear to be merely transcriptions of an aggressiveness, a cutting down to size, on the photographer's part. It would be greatly to his artistic benefit if he were to leave the studio behind and return to the real world, where some of his best portraits were made in the 1950s and 1960s.
以上解析由 考满分老师提供。
