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David Belasco`s 1912 Broadway production of The Governors Lady created a sensation with a scene set in a Childs cafeteria, a chain restaurant that was an innovator in food standardization and emblematic of modern everyday life. While Belasco`s meticulously detailed reproduction of an immediately recognizable setting impressed the public, it was derided by progressive theater critics who championed the New Stagecraft theories of European artists like Max Reinhardt. The New Stagecraft rejected theatrical literalism; it drew inspiration from the subjectivity and minimalism of modern painters, advocating simplified sets designed to express a dramatic texts central ideas. Such critics considered Belasco a craftsman who merely captured surface realities: a true artist eliminated the inessential to create more meaningful, expressive stage images.

It can be inferred that the theater critics would be most likely to agree with which of the following statements about the theatrical productions?

ATheatrical productions that seek to eliminate the inessential also often eliminate theatrical elements that enhance the expressiveness of a play.
BTheatrical productions that faithfully recreate the visual details of everyday life are unlikely to do justice to a good play`s central ideas.
CTheatrical productions that employ the minimalism characteristic of modern paintings may have greater appeal to modern audiences than productions that rely on theatrical literalism.
DTheatrical productions that aim to represent truths about modern life should not attempt to employ elements of the New Stagecraft.
ETheatrical productions that attempt to produce authentic-looking scenes of everyday reality are likely to fail in that goal because of the theaters inherent limitations.

B显示答案

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