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题目材料:
Higgins has pointed out the perplexing absence of a single musical composition attributed to a woman in Europe from 1300 to 1566 as a phenomenon more apparent than real. During that period, anonymous creativity by both men and women of European nobility was encouraged; hence improvised songs by women would have been so common as to deserve no particular attention. In addition, many courtly women had sufficient musical training to enable them to commit their songs to paper, even though it would have been unseemly for them to sign their work. The existence of many anonymous works increases the likelihood that music by women of that period has indeed been preserved and that the circumstances of its composition and preservation have prevented us from identifying it.
以上解析由 考满分老师提供。