最新提问
我的动态
登录后查看动态
题目内容双击单词支持查询和收藏哦～
题目材料：
Before feminist literary criticism emerged in the 1970s, the nineteenth-century United States writer Fanny Fern was regarded by most critics (when considered at all) as a prototype of weepy sentimentalism--a pious, insipid icon of conventional American culture. Feminist reclamations of Fern, by contrast, emphasize her "non-sentimental" qualities, particularly her sharply humorous social criticism. Most feminist scholars find it difficult to reconcile Fern's sardonic social critiques with her effusive celebrations of many conventional values. Attempting to resolve this contradiction, Harris concludes that Fern employed "flowery rhetoric" strategically to disguise her subversive goals beneath apparent conventionality. However, Tompkins proposes an alternative view of sentimentality itself, suggesting that sentimental writing could serve radical, rather than only conservative, ends by swaying readers emotionally, moving them to embrace social change.
以上解析由 考满分老师提供。
