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题目材料：
For American artist Lucy Lippard, politically engaged art necessarily existed primarily outside oft raditional art venues, in public spaces and in direct confrontation with political power. But for some other 1970s New York artists, it was inside the art world—and especially within museums—that the machinations of power could best be exposed and examined. Artists such as Adrian Piper worked within the genre known as"institutional critique" that explored and confronted the political and economic entanglements of museum patronage. Artists engaged in such work were often criticized for participating in the very art world system they purported to challenge. Yet their rigorous methodologies for researching and dramatically staging interventions in museum spaces yielded some of the era's most politically astute and influential artworks.
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