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题目材料：
Washburn's examination of textile designs from the precolonial Kuba Kingdom in Africa reveals that, despite a theoretical embrace of infinite formal variation, there exists in practice a limited number of pattern structures, with creativity channeled into developing nuanced variations on those designs. A parallel sensibility informs the Kuba approach to the ndop figurative sculptures depicting paramount leaders. While one might assume royal portraits capture the unique image of each leader, in practice Kuba sculptors adapted a preferred figurative convention. Although the ndop figures themselves are so homogeneous that they are essentially expunged of any idiosyncratic physiognomic features, the embedded ibol signifier [a symbolic emblem incorporated into the base of each sculpture], and an accompanying explanatory proverb invest each image with a particular identity.
以上解析由 考满分老师提供。
