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题目材料：

That nineteenth-century European women sculptors seldom saw their work displayed in the most prestigious locations can be linked to the genres (portraits, mythological figures) and the formats (reliefs and life-size or smaller-scale sculptures) in which they worked. But what was cause and what was effect of these women's limited access to public space? Women sculptors rarely received commissions for the highest genre in the hierarchy of public sculpture: the huge historical equestrian monument in a public square. Women made some life-size statues, but these were seldom placed on high pedestals in open public spaces. Public sculptures by women usually do not seem to have been designed for the monumentality of public space; they are often, essentially, interior sculptures that may or may not have been placed outside.

The passage suggests which of the followring about the "life-size statues"?

AThey were often considered too large for interior spaces but not sufficiently prestigious to appear in public squares.
BThey were typical of the work of women sculptors because women sculptors frequently received commissions for such works.
CSome of them depicted subjects that would conventionally have been depicted in formats smaller than life-size.
DMost of them were considered to fall outside the category of the highest genre in the hierarchy of public sculpture.
EMost of them were designed by sculptors who intended that they be displayed in open public spaces.

D显示答案

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