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题目材料:
In A Fine Brush on Ivory, his appreciation of novelist Jane Austen, Richard Jenkyns remarks that in Austen scholarship there are pressures that cause ordinary critical circumspection to break down. Principal among those pressures is the peculiar affection in which the person of Jane Austen is held by many readers. This affection is not altogether explained by admiration for her genius, nor is it entirely a symptom of nostalgia for her orderly decorous, vanished world. The impulse to know personally this elusive, even mysterious, writer has led critics to approach her work in mostly biographical or historical ways, often in defiance of other critical fashions, especially the various formal approaches that have dominated modern literary criticism.
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